Natalia Yanekina | Paintings


Natalia Yanekina was born in 1982 in Kaliningrad (Russia). Natalia is based in Lithuania since 2008 , and is a full time artist and a young mum, rising her little daughter Sofia. In 2003 she graduated from Ivanovo Regional Art School, named after M.Malyutina. Since 2005 has been a member of the Union of Artists of Russia. Natalia participates in many local & international art symposiums. She has recently did an artt symposium in Tbilisi, Georgia and is attending another one soon in Gdansk, Poland. Natalia has held many solo exhibitions and participated in  numerous group exhibitions in Europe.



natalia yanekina.lemons 100 x 100 with white boarder
Lemons | oil on canvas | 100 x 100 cm

natalia tree 100 x 100 with white boarder
 Money Tree | oil on canvas | 100 x 100 cm

natalia yanekina. With the birds. 60 x 90 cm with white boarder
 With Birds | oil on canvas | 60 x 90 cm



  Planning house

Bird’s gallery is about to receive new work from the contemporary artist Shane Drinkwater.

Tasmanian born artist Shane Drinkwater has exhibited widely within Australia (Melbourne,
Sydney, Adelaide…), also in Paris and is now represented in Sydney by Conny Dietzschold
Gallery and in New York by Gallery Molly Krom, following a show in July 2014.

Shane studied for 3 years at the University of Tasmania, School of Art in Hobart and one
year at the National Art School in Sydney.

He has lived in Queensland since 1994, after time spent in Paris: as recipient of the Alliance
Française/Australia council fellowship he had access to studio space near the
Bastille for 4 months in 1988. He stayed on another 6 years.

When talking about what painting means to him, Drinkwater states:
Painting is something I’ve always needed to do and I’m enjoying it more and more: it’s the
joy of putting colour ,shape and gesture on a surface. I’m interested in the making! I delve
into the act of painting with a minimum repertoire of visual elements aiming for a maximum
visual intensity. Ideas and images appear through the making of the work, language
becomes unnecessary, I let the work speak for me.


Dawn hills

Double garage with house

Glass collection


Hill tops

Modern home

New tree

Sorting three





The Forest Path

Florentina Munteanu was born in Bucharest, Romania and migrated to Australia in 1991.  She completed a BFA (Painting) with First Class Honours at Monash University in Melbourne 2005 and continued her Masters of Fine Arts by Research at Monash University being a recipient of an Australian Postgraduate Award.  In 2006 she obtained a studio residency at Gertrude Art Studios and in 2009 became a Teaching Associate for the Faculty of Art and Design Drawing Department at Monash University.

Her group and solo exhibitions include Corina Bus Gallery Melbourne, The Colour and the Shape curated exhibition Glen Eira Gallery, Drawing Symposium Exhibition The Atrium Gallery Monash University and House collaborative project with International artist in residence Marie-Jeanne Hoffner The Atrium Gallery Monash University.

Currently her work concentrates on the problems of painting from observation, still life and outdoor studies.  Looking at the poetic space of representation, Florentina draws inspiration for her still life from small life subjects such as fruit as they offer humble interchangeable forms.

Her work celebrates the small intimate daily encounters with objects both in still life painting as well as being drawn to en plein air painting, observing nature, searching for an equivalent for her experience rather than a record of a particular place.  The scale of her work is usually quite small coming from the fact that she paints outdoors with a small painting box sometimes taking cover from the elements in the comfort of her car.


A Down hill Street

Bosc Pear

Green Apples


Maroondah Dam

Pineapple Top

The Sandy Road

Art Money – Free interest loan


Bird’s gallery has recently become one of the participating galleries with Art Money.

Art Money has been created in order to support the Contemporary art by providing free interest loans to assist buyers to purchase art. Art Money stimulates the art industry by supporting both artist and buyers and it is now available at Bird’s Gallery.

How does it work? To buy artworks with Art Money, a 10% deposit must to be paid at the gallery and the remaining 90% will be paid in 9 monthly instalments. Loans are available from $675 to $30,000 and they are approved online immediately. The application is made online; it only takes just a few minutes to be completed. All you need is your driver licence or passport and to enter some simple personal details. Once approved, your loan is valid for 30 days and available at use at the gallery.

To be eligible to apply for an Art Money loan, you will need to:

  • Be an individual applying in your own name
  • Be 18 years or over
  • Be an Australian citizen or permanent resident
  • Have an income of at least $30,000 p.a. from all sources ,including investments
  • Be currently employed or have a regular income that meets our requirements
  • Have a clear credit history (no dishonours, defaults, court judgements or bankruptcies within the last 5 years and not be an undischarged bankrupt)
  • Hold a current Australian driver licence or passport
  • Have a nominated account or credit card which Arts Money is able to debit

You can apply for an Art Money loan now at or visit us at Bird’s Gallery.



BRIGITA LA Works on paper | RADU DIMITRIU Sculptures

 BRIGITA LA | Works on paper | until 7 May 2016

Artist Statement

A few years ago I came across my old paintings & drawings stored in the attic. Some of those artworks were emotionally old & incomplete and I decided to rework or recycle them to give them new life. I started reclaiming them by cutting and weaving various pieces together and the result was astonishing and fresh. I love the aspect of spontaneity and accident in art, as it forces you to let go of the familiar, logical ways and surrender to the process, and in some pieces to embrace the uncertainty of the final result. The abstract visual aspect resonates more with me than the concrete aspect, therefore I often deconstruct the obvious visual images and conceal and encode them behind the abstract repetitive patterns. It gives the mind freedom to imagine, be intrigued and explore the unknown factor.

The recent series of woven work focuses on the new process of combining 2-4 specially made separate drawings into one woven piece according to the chosen theme. The work “Grandma’s Linen” is more emotionally charged, than others. I have spent my childhood summer holidays at my grandparent’s farm in the remote village. And I have a very alive and authentic memories from those times. The Grandma’s Linen conveys my appreciation of the hand-woven, hand-made aspect we lived with over there. I feel the work reflects alive & pulsating feelings of nostalgia to those times, which are alive only in my memory, as my grandparents, as well as the house are already gone. The subtleties of my childhood memories are interwoven into this monochrome “linen” piece, which invites the viewer to enter and explore it for themselves

I invite the viewer to leave logic behind and enter the realm of imagination where you are guided by your feelings, associations and intuition.

 View artist portfolio


Woven series_meadows

blue fish small

Meadows 28.5 x 38 small

leave 36 x 28cm


another traditional 36 x 28cm


floral 39.5 x 27cm


.small file


lastauskaite_brigita_grandmas linen small

white on white small




Born 1951 in Iasi, Romania |
Since 1980 based in Melbourne


9 APRIL – 7 MAY 2016 , Exhibition Opening Saturday 9 April 2-4 PM

View Artist Profile







13 February-7 March 2016
Ceramic Vessels

All pieces are made from raku clays and
stonewares and finished with stains and slips


Barbara van Oost was born in The Netherlands and moved to Melbourne in 1997.She is a self-taught ceramicist and began exploring the medium while working as a contempory dancer in her native Holland.

Her handbuilt ceramics are void of hash angles and excessive surface decoration. Barbara’s organically formed works are created using mixed clay bodies, oxides and stained slips and fired to stoneware temperatures.

Alongside her sculptural practice she designs and creates a line of jewellery and womenswear under the label Klei.




klei 3



Klei vessels

NGAIO LENZ paintings | until 2 September


We are pleased to announce that Bird’s Gallery will have the lovely Ngaio Lenz for the month of August in our Featured Artist Programme.

Ngaio is a Melbourne based artist, recently relocated from Queensland, working in abstracts  and installation. Her EQUILIBRIUM series is an exploration of the organic shapes of the natural environment. They are the shapes and surfaces Ngaio is drawn to in a world of harsh sharp edges and cold interiors. These works are a balance to the fast pace of modern life and a way of feeling connected to nature and the gentle softness of a weathered surface.

Read more about the artist here.

Top image: Equilibrium 37 | 91 x 121 cm | Mixed media on canvas
Bottom images: Equilibrium 31 | 101 x 101 cm | Mixed media on canvas, Equilibrium 32  | 101 x 101 cm | Mixed media on canvas

Equilibrium-31 Equilibrium-32




Min Simankevicius Van Gogh Park

Photo: Detail of VAN GOGH PARK | 177 x 150 cm


On July 9-30 we are pleased to present an exhibition by photopainter Min Simankevicius. ‘FRACTURED’ is a carefully curated selection of his ongoing studies of natural and urban landscapes via the media of photography and digital manipulation.


Artist’s statement:

In looking at landscapes I have always admired the way the drama of the ever-­‐changing landscape
evolves over time -­‐ with the shifting of light, the effect of wind, the viewing of different points of
perspective. I am not content to capture one frozen moment alone but am driven to find a way of
expressing the shift of time and place in that one image (without resorting to video or moving records).
Photography is generally lauded with the honour of a single “click” and what is captured in that brief
moment, yet seeing the work of David Hockney and his photo-­‐collages opened a whole new arena of
capturing a landscape for me.
My images are a combination of many photos, taken from slightly varying angles and of course, across a
short period of time. The combination of these many impressions create a juxtaposition of parts that
make a whole, yet show the parts in various aspects of viewing. Clouds drift, tree limbs move, the cliche
is no longer.
These images are far from collages, as they are not assembled from varied images, but assembled from
aspects of the same image.

tree of life

Photo: Detail of TREE OF LIFE | 90 x 90 cm



Photo: Detail of GALAXY | 90 x 90 cm


Photo: Detail of FIG TREE | 100 x 100 cm



Currently at Bird’s Gallery we are featuring beautiful ceramic vessels by Nadia Dusselberg. She is a Melbourne based contemporary ceramics artist with a background in the film industry.

Nadia grew up in a creative environment as a daughter of two ceramicists and with a little encouragement began her own explorations in clay in their long established art space, Studio 32. It wasn’t long before she began developing stylistically and her own identity emerged.

Inspired by nature, Nadia’s work has a fresh quirky take on the typically mundane.  She sees practical objects and makes them fun. It’s within this joyful spirit that Nadia playfully names all her works after familiar childhood memories.


Ingrid Dusselberg Ceramics


IMG_6090    IMG_6079


GILLIE & MARC | Featured Works

Gillie & Marc | Featured Works | 22 June – 8 July



For the period of three weeks we are featuring wonderful anthropomorphic sculptures from Australian artists Gillie and Marc. As husband and wife, they collaborate to create art as one, applying the iconic imagery of the dog/human hybrid to celebrate the powerful spiritual relationship that exists between man and animal. Gillie and Marc reference their own remarkable love story in their works, perpetuating a pursuit of happiness and encouraging us to challenge the status quo and the perceived safety of societal convention. 20 years ago the artists married in the foothills of Nepal’s Mt Everest, 15 days after having met in Hong Kong. They now live in Sydney with their 2 children and golden retriever Moby. With a 15 year history of collaboration, Gillie and Marc’s works have received acclaim worldwide and are held in collections both nationally and internationally.

Philosophy 15.10.2015
Techniques 15.10.2015
Statement 15.10.2015



Lolly Dogman & Rabbitgirl
Clear resin | 35 x 28 x 20 cm | 45 x 26 x 17 cm
Price $480 each



He Read on the internet that six cups a day is okay
Just not seven
Bronze | edition 15 | 30 x 29 x 41 cm
Price $2500


They Thought Together No Wave Was Too Big
Bronze | ed 20 | 38 x 26 x 40 cm | Price $2800



“He Wondered If She Remembered Their
Romantic Nights Together | Bronze
Edition 20 | 14 x 12 x 21 cm | Price $980

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